By
Susan Paynter
Wow. Talk about a
grand finale! The April 5 Chatham
Concert Series season finale, held at Emmanuel, was nothing short of an all-out
love fest.
The concert-goers loved Ashley Hall’s charming engagement
with the audience as she personally introduced each piece she played: relaying
here a story from her own career, there a tale about the composer or a famous
performer of the upcoming number.
More important, we were astounded by Hall’s virtuosity on
the cornet. Joe, who in his youth
dabbled on the trumpet, kept whispering to me, “How does she do that?”
I couldn’t help but glance from time to time at a friend
across the aisle who used to play brass in big bands. He was mesmerized, smiling and shaking his
head, and he leapt to his feet with applause after the final note before
intermission.
But even those of us who’ve never blown a horn knew we were
in the presence of something very special.
To say the applause was extended doesn’t do it justice: we were smitten!
Then there was Wayne Gallops on the piano. What pizzazz.
His background in popular and classical music as well as jazz enabled
him to match the temper and style of each piece of the varied program. The two played wonderfully in concert and we
were all astounded to hear this was their first performance together.
Hall and Gallops showed their appreciation for each other in
that way musicians do during an ovation.
You could tell it was anything but a de
rigueur gesture. They were genuinely
delighted with one another.
And with us. They say
there’s nothing a musician values more than an appreciative audience and we
certainly gave them that, to their obvious pleasure.
Hall selected a diverse program, designed to display the
many moods and colors the cornet is capable of evoking and representing
composers of the 19th, 20th, and 21st
centuries from the U.S., the U.K, and Europe.
Each piece had its charm, but if I had to bet on the
audience favorites I’d put my money on Jules Levy’s “Grand Russian Fantasia”
and Jean-Baptiste Arban’s variations on “Le Carnaval de Venise.” Both were written to show what the cornet is
capable of doing and it was thrilling to hear what that instrument, on the lips
and in the hands of a master like Hall, can do.